UK garage (also known as UKG or just garage) refers to several different varieties of modern electronic dance music generally connected to the evolution of house in the UK in the mid 1990s. Usage of the term "garage" is different in the US to in the UK, where it refers to the 1980s New York house movement.

The evolution of house music in the UK in the mid 1990s led to the term, as previously coined by the Paradise Garage DJs, being applied to a new form of music also known as speed garage. In the late nineties the term UK garage was settled upon by the scene. This style is now frequently combined with other forms of music like hip hop, rap and R&B, all broadly filed under the description urban music. The correct pronunciation of UK garage is IPA: [ˈɡærɪdʒ] (rather than the American pronunciation [ɡɚˈrɑ:ʒ]), as this is the most common pronunciation of the word in the British Isles.

Artists like The Artful Dodger, DJ Luck and MC Neat,Sunship (Ceri Evans), Oxide and Neutrino and numerous others have made garage music mainstream in the UK, whilst Dizzee Rascal's and Wiley's arrival raised the profile of grime, an offshoot of garage. However on the East London underground scene garage is distinctly different, it has a much more raw sound, placing a greater emphasis on electronic beats and rhythms.

"'Garage' is one of the most mangled terms in dance music. The term derives from the Paradise Garage itself, but it has meant so many different things to so many different people that unless you're talking about a specific time and place, it is virtually meaningless. Part of the reason for this confusion (aside from various journalistic misunderstandings and industry misappropriations) is that the range of music played at the Garage was so broad. The music we now call 'garage' has evolved from only a small part of the club's wildly eclectic soundtrack." -- Frank Broughton/Bill Brewster in Last Night A DJ Saved My Life

Drum and bass is a type of electronic dance music also known as jungle. Emerging in the early 1990s, the genre is characterised by fast tempo broken beat drums (generally between 160–180 beats per minute) with heavy, often intricate basslines. Today, drum and bass is still considered an underground musical style, but its currents of influence run throughout popular music and culture.

Drum and bass began as an offshoot of the United Kingdom breakbeat hardcore and rave scene of the late 1980s, and over the first decade of its existence there have been many permutations in its style, incorporating elements from ragga, dancehall, electro, funk, hip hop, house, jazz, heavy metal, reggae, rock, techno and trance.

Grime is a sub-genre of urban music which first emerged in London in the early 2000s, primarily a development of UK garage, drum and bass, dancehall and hip hop.[1] The music is typified by sparse and minimalist 2step breakbeats, generally around 130-140 beats per minute, and an aggressive and fast rapping style - often in double time. The lyrics and music combine futuristic electronic elements; and dark, guttural, growling bass lines. In contrast to its more soulful predecessors in breakbeat music, grime features MCs as opposed to singers and has jettisoned the R&B influences of earlier UK garage in favour of brutal beats. Due to its experimental nature and diverse stylistic influences, artists involved in the grime scene initially resisted attempts to classify or pigeonhole the style, resulting in a range of different labels, including sublow, 8bar, nu shape and eskibeat. Grime is sometimes associated with dubstep, a similar but largely instrumental genre which also evolved from the early 2000s UK garage scene.