I have also set up an Evil 9 page you can find it at

http://evil-9.bebo.com

And in the sprit of being board at work I have set up a site for Fabric nightclub in London... its still a work in progress its worth a look

http://Fabriclondon.bebo.com

So, here's what you probably already know about The Freestylers. They've made over 45 records, sold 350,000 albums, scorched the charts with the hot-footer 'B-Boy Stance', appeared on Top of the Pops and opened for Lenny Kravitz. They have rocked Glastonbury, crisscrossed the world touring with a 12 piece band and now they're set to release their fourth album 'Adventures In Freestyle.'
These breakbeat banditos met whilst both working at the studios of Fresh [later Freskanova] Records, way back in 1996. “We were just chatting about old hip hop records,” recalls Aston. “And realised we both owned all the same tunes. We'd both been making house and Matt had this idea for an electro track so we just started working together.” That electro track
became 'Drop The Bomb' and on release in '97, launched the pair as The Freestylers. “The first record we ever sampled was by an act called Freestyle,” Aston explains. “At that time sampling played such a major part in our sound, we felt it would be a fitting name.” Raised on a diet of Public Enemy, Afrika Bambaataa and, erm, The Jungle Book [“That soundtrack
was the first record I ever bought,” laughs Aston. “I was the original junglist!”], the Freestylers sound is rooted in hip hop but has evolved into a unique British concoction, taking in everything from dancehall to reggae, electro to soul and breakbeat to drum and bass.
“It's pretty tricky trying to sum us up,” admits Matt. “Our sound is pretty raw, raw and very instant. Basically it's like breaks for the masses, but as we've both got pretty eclectic tastes we bring a whole spectrum of influences from the seventies onwards.” "Hip hop heads come to see us," continues Aston. "But so do ravers, reggae fans... it's quite
mad really - two funky white boys bringing all these people together.”
Debut single 'Drop The Bomb' soon saw a Stateside release [renamed AK48], and 'The Scratch City' and 'Uprock EPs' followed swiftly on its tail. But it was release of the jump-up breakers' anthem 'B-Boy Stance' and the boys' subsequent brush with the Gallagher brothers, that firmly put them on the media map. MC Tenor Fly's vocal appropriation of 'Wonderwall'
didn't go down too well with the simian siblings, the Freestylers were forced back into the studio to re-record their masterpiece and the hype was enough to send "B Boy Stance" soaring into the Top 20. It was only when all the fuss had died down that everyone realised it probably would have got there anyway.
Things moved pretty quickly after that. Their debut album 'We Rock Hard' sold over 250,000 copies, the boys got a MOBO nomination and picked up the late Muzik Magazine's Best Band accolade.
It's the Freestylers' live performances that really set them apart from other dance acts. When playing live they have a full band on stage with them – guitarists, DJs, MCs, vocalists and a full rhythm section. “The sound we get together can best be described as a 3D effect to our
albums,” explains Matt. “When you listen to our albums then come to our shows, you'll see the sound literally come out at you - everything is dynamic.”
And it was one of these electric live performances that caught the eye of rock lothario Lenny Kravitz, who was so impressed he personally chose them to open for him. The popularity of their debut album meant Matt and Aston could really take the Freestylers on the road, playing not only the biggest clubs and UK festivals, but also touring America.
The band soon capped a series of stunning live performances, with their legendary gig in front of 23,000 screaming fans on the World Jazz Stage at Glastonbury. The crowd was so blown away they clapped and cheered solidly for over fifteen minutes after the set finished and Time Out declared The Freestylers “the highlight of the entire festival.”
A second album 'Pressure Point' followed and went on to sell over 100,000 copies. “We didn't want to just make a We Rock Hard Pt. 2,” exp