Bebo

Cold Case <cold-case-fans>

	Cold Case	688 dagen geleden
	Format Each episode of Cold Case begins with a flashback scene informing viewers of the year in which it takes place. A set of characters are revealed in a seemingly mundane situation. The viewer is then shown the corpse of the victim as he or she was found. It is always one of the people introduced in the previous, seemingly innocent, scene. The show then flashes to the present day. The detectives of the homicide division of the Philadelphia police department are told there is reason for further investigation of an old case gone cold, for one of several reasons: new evidence has come to light, the victim’s physical remains have been discovered, a witness has decided to come forward, etc. All or any of these cause the detectives to give the cold case a new look and begin researching the victim and interviewing their friends, acquaintances, and family. The friends, family, co-workers, etc. who were introduced in the flashback at the beginning of the episode have aged (in one case, a six-year-old witness to the crime is interviewed by the detectives when she is 94). Gradually, the detectives gather enough evidence to determine the killer, who most of the time is then arrested. At the end of each episode, the detectives mark the case solved, while an apparition of the murdered person(s) looks on. The problems in the detectives' personal lives are also featured, though the main emphasis of every story is on the victim and the search for the killer. Most notably, Detective Lilly Rush grew up in a severely dysfunctional, poverty-stricken home with an alcoholic mother. Cold Case is also notable for double-casting: it will cast a young actor for the flashback sequences and an older actor for the shots in the present, and cut back and forth between the two, to show how the character has aged. The episode "One Night" managed to triple-cast one character, showing him in the present day, when he committed his murder, and when he was a teenager. If the murder takes place within the recent past, i.e. one to five years earlier, the same actors are often used with subtle changes in appearance and with a few exceptions (i.e: infants to adolescents). If the murder takes place in the distant past, i.e. 15 years plus, different actors with a few exceptions are used (e.g. adult persons who are not likely to age significantly other than gray hairs and/or weight gain/loss). Victims and end scenes Typically once the murderer is revealed, their confession is depicted in one final flashback in which the murder is shown. The episode then ends with a montage (with no dialogue) of the killer(s) being arrested, as well as the fates of other characters from that era, showing all of them in their current appearance, but briefly flashing back to their younger selves, and finally Detective Lilly Rush or someone else close to the victim seeing a vision of the grateful-looking victim standing nearby, who then quickly vanishes (this aspect of the show is left up to viewer interpretation: depending on the viewer's perspective it could be Rush's imagination or it could be representative of the victims themselves). There have been numerous variations on this pattern however. In some cases the final vision is seen by another member of the team because of a connection to the victim. Other visions are seen by someone close to the victim. Some cases do not end with an arrest or vision at all. In the first season "Hitchiker" episode, the culprit sees the victim both as a teenager and as an adult, the only time this type of vision occurs. This latter because the victim is an infant or the former because the actual culprits are already deceased. The fifth season episode "Family 8108" had the rare distinction of ending with an original monologue instead of a song during the closing montage. Notable Unlikeable Victims Generally the majority of the victims are shown to be good people or truly innocent victims thus making the endings, in which the victims are seen one last time, rewarding for the victim's family, the investigating officers, and the viewer. There have been occasions where the victims were depicted as rather unlikable or even despicable: such as a sexual predator, child molester, a greedy manipulator, spree killers, an abusive parent, or a date-rapist, making the endings somewhat bittersweet. Exceptions to some murder scenes The scenes showing the actual murders are the theme in most episodes with some notable exceptions, such as the Season 1 episode, "Our Boy Is Back", the Season 1 Finale "Lover's Lane", the Season 3 episode "Death Penalty: Final Appeal" and the Season 4 Episode "Offender". In those scenes the viewers see the immediate events precipitating the murder but then the screen fades out just as the final act is about to happen. This is due to the heinousness of the underlying crime which is included with the murder. In the aforementioned episodes the crime is usually rape or sexual assault of an innocent child or woman. One exception is the episode "Revenge" where the victim, who died of drowning, is last seen swimming across the water in an effort to get to his family. That scene fades as he is swimming into the night. Directorial styles Each episode, during the flashbacks, will feature a different style of direction, whether it be the colors, lighting, shading, or camera angles. Flashbacks from an era such as the 1950s have been shown in black and white, an episode with a case from 1939 featured sepia-toned flashbacks, one episode set in the '80s used a split-screen style, while a case from 1990 ("Sleepover") was shot with an effect that resembled a home video camera. In the oldest cold case ever investigated by the team, a 1919 homicide, the flashbacks are seen in the vaudeville reel film style used at that time with a fade-in opening sequence. Some popular films have served as inspiration for several episodes such as "Disco Inferno" (Saturday Night Fever), "Yo, Adrian" (Rocky), "Detention" (The Breakfast Club), "Dog Day Afternoons" (Dog Day Afternoon), "Greed" (Wall Street), "The Sleepover" (Heathers), "Saving Patrick Bubley" (Saving Private Ryan), "The Key" (The Ice Storm), "Forever Blue" (Brokeback Mountain), "Knuckle Up" (Fight Club), "Blood on the Tracks" (The Big Chill), "Shuffle, Ball, Change" (Footloose and Flashdance), "Willkommen" (Cabaret), and "Stand Up And Holler" (Mean Girls). The episode "Bad Night" heavily referenced the movie Halloween as having possibly inspired a murder. The episode "Creatures of The Night" is particularly significant in that it used the same segues, lighting, and acting styles in its flashbacks as The Rocky Horror Picture Show. Two episodes featured flashbacks shown in widescreen format. Season 3's "Family" had flashbacks that were presented with a 1.85:1 aspect ratio while Season 4's "Blood on the Tracks" had flashbacks with a 2.35:1 aspect ratio. Music The show's theme song is an excerpt from "Nara" by E.S. Posthumus with an introduction by series composer Michael A. Levine. Besides Levine's original music, each episode makes extensive use of era-appropriate music for flashbacks to the year in question. In an episode of a murder in 1994 (Detention), the episode featured references to Kurt Cobain and added grunge songs from the same era, a genre of music that Cobain had popularized. The fifth season premiere, also dealing with a 1994 murder, would later feature songs by Nirvana, which Cobain fronted. Seven different episodes exclusively used the music of one particular musican or band. These include Johnny Cash, John Mellencamp, Bruce Springsteen, Tim McGraw, U2, Nirvana, and Bob Dylan, respectively. Also, there has been an episode featuring all Rocky Horror Picture Show songs, as well as an episode with all Cabaret songs. One episode featured music from an era different than the one featured in the flashbacks. The episode "Blood on the Tracks", about former hippies turned yuppies, took place in 1981 but featured Bob Dylan's music from the 60s. The episode that was taken the farthest back in Cold Case was the story of a suffragette who was murdered in 1919. This episode also features popular music of that year. Rarely is the same song ever heard twice on the show. This has only happened four times. The first time being the fourth season episode Forever Blue which replayed The Monkees song "Daydream Believer" first heard in the third season episode Debut. This was due to the fact that "Daydream Believer" was a last-minute replacement as the producers had originally intended to use "Happy Together" by The Turtles in Forever Blue. The second time a song was replayed was in the closing scenes of the fifth season episode Wunderkind which used Moby's "[Natural Blues]]", first heard in Season Two's Discretion, with the third song being replayed being Frankie Valli's "Walk Like A Man", first heard in Season Two's Strange Fruit and also in Season Five's Boy Crazy. Finally, "Save a Prayer" by Duran Duran was featured in Season Two's Schadenfreude and also the closing scenes of Justice from Season Five. The song "Landslide" has been used at the end of two episodes, though not the same version: A cover by The Smashing Pumpkins was used in the episode Detention while the original version recorded by Fleetwood Mac was used at the end of the episode Fireflies. In the 2006 season, the music aired on the show during some episodes has been sponsored by XM Satellite Radio, where music from the various years covered can be heard on XM's decade channels.
	geplaatst door Cold Case